《青青河边草》

十多岁(suì )的米特拉是(shì )一位雄心勃(bó(🥪) )勃的(🌬)艺(🛺)术(👺)家(jiā(🖲) )，她正在(🎊)(zài )完成自己的(de )梦想作品，也就是拍(pāi )摄一部关于(yú(📧) )埃及(🎫)传(😏)奇歌(🐇)(gē(🥙) )手及女(😡)星(xīng )乌(wū )姆·库勒(lè )苏姆的电影(yǐng )。然而，为(wéi )了更(🛁)真实(😋)地(👬)(dì )刻(🥫)画(📂)乌姆(mǔ(⬛) )作为一(🥙)个神(shén )话、一个女人和一位(wèi )艺(yì )术家的本(běn )质(👧)，米特(🐌)拉(🖤)(lā(🦏) )把家(🛐)庭放(fà(🌛)ng )在了事业之(zhī )后，她自己(jǐ )的人生斗争(zhēng )与乌姆的(🙌)融(ró(🍎)ng )合(🍲)在一起(🍜)(qǐ )，使她(💯)在情(qíng )感和艺术上(shàng )面临崩溃。

法国《电(diàn )影手册》2018年(🖨)(nián )度(♓)期(🗡)待榜(🕍)单(🍥)重点推(♉)荐(jiàn )影片之一，影片采用16mm胶(jiāo )片拍摄，具(jù )有极致的(🗒)(de )迷幻(⏫)色(🚷)彩，影(📶)像(🐐)超级大(🥙)(dà )胆，故(🖨)事讲(jiǎng )述5个热爱(ài )艺术的“野(yě )小子”的罪恶之行，让(🌸)(ràng )人(🎟)想(👃)到(🏣)库(kù(🈵) )布里克(💾)的《发条橙》，而这5位“野小子”则(zé )正由5位女演(yǎn )员“扮演(💢)”，涉及(☕)到(🎲)(dào )了不(🌶)少情色(Ⓜ)(sè )元素，探讨了性别结构(gòu )。

神枪手(shǒu )林浩天在一(yī(📽) )次刺(🌕)杀(🏪)执行(🔌)中(🐵)，发现(xià(🤑)n )要杀的人竟(jìng )是多年前失(shī )散的亲弟弟(dì )林，而亲(🚤)(qīn )兄(🚜)弟(🎋)已是(🚆)上(🥖)(shà(🤜)ng )海滩(🚭)有权有(🅰)(yǒu )势的大佬。兄弟相认(rèn )，但弟弟已(yǐ )变成心狠手辣(🤙)之人(🌥)，两(🔑)人(🛅)之间(📏)也(yě )随(✂)之展开角(jiǎo )逐。

职业(yè )抢劫犯杰克(kè )为了挖掘父(fù(🤡) )亲被(🤮)谋(🚷)杀的(de )真(⛏)相，找到(🤞)(dào )他被偷的(de )钱，面临生(shēng )命危险。很快他发现自(zì )己(📉)陷入(🕧)了(🔤)(le )无可(🗄)挽(🙇)回的(de )困(📎)境。西(xī )班牙的美丽(lì )风光以及伦(lún )敦黑暗的地(dì(🏋) )下世(🛵)界(🚭)里，他(🛸)和(🥃)神(🚁)秘(mì(🛏) )的敌对(👾)力量(liàng )展开搏斗，在寻求复仇(chóu )的同时，背后还有一(🕔)(yī )群(🤖)黑(⌚)帮(🙋)罪犯(🐣)和警察(🥥)在(zài )追捕他。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

大(dà )学毕业没工(gōng )作的晓丽(lì )，跟父亲(🎴)生(shē(💈)ng )活(🔜)在一起(🛳)，整天闲(🧖)在家(jiā )里玩游戏看(kàn )漫画，四(sì )体不勤，非(fēi )常懒散(🦃)。根据(✴)秋(🍬)冬春(⛪)夏(🍨)(xià )四季(🧕)变换(huàn )的自然规律(lǜ )，影片讲(jiǎng )述了晓丽是(shì )如何(🤭)一步步(🗄)(bù )走(✂)出(📑)家(🥍)门勇(🛠)(yǒng )敢走(😖)向社会(huì )的......

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

A tragic car accident puts a woman in a two year coma. She wakes up to find her fiance' is dead and her friends have abandoned her. So she calls on an evil spirit to raise her fiance' from the dead and exact revenge. But revenge always comes with a price.