山海伏魔录

本片讲(🌪)(jiǎng )述的是(♿)一群年轻人(ré(🎼)n )在生活(huó(😔) )、社(⛵)会、情(qíng )感(🍭)的重(chóng )压(🌳)之下(🖨)，仍旧义无(📿)(wú )反顾的追求(🚱)自己音(yīn )乐梦想的故事。

The uncensored extended version of Don't Love Me - boys feature film with Alex Kelly and Alexander Scott.

一(👿)(yī )个年轻(🦀)女孩爱上了(le )一(🦃)个比他大(⬇)(dà )八(🐍)岁的(de )男人。

网红(hóng )乐悠(🕵)悠(yō(🕉)u )因在网(wǎ(🥜)ng )上直(zhí )播厨艺(🗜)(yì )走红。这(🦆)天(tiān )乐悠悠(yōu )应(🌊)粉丝(sī )邀(⛺)请，准(🔕)备(bèi )到粉(💰)丝(sī )家里(🤒)进行(🎑)互(hù )动直播(bō )。赴约的半(bà(🛐)n )途，偶遇霸(⬅)道总裁(cái )任天(🏅)澜，两人发(🗳)生(shē(🔌)ng )龃龉，互放狠(🔷)话，表示这(🔡)辈子(🎴)都不想(xiǎ(🥌)ng )再见到(dào )对方(🚽)。等乐悠悠到(dào )了约定地点(🌥)，才发(fā )现(🍤)任天澜是这家(🔶)主(zhǔ )人！ 乐(🌸)悠悠(🙌)为了给(gěi )母亲治病筹(🤲)(chóu )集(⛔)资金(jīn )不(🈺)得不继续(xù )在(📲)任天(tiān )澜(🍠)家直(zhí )播，而这更(⚽)(gèng )让任天(📁)(tiān )澜(🦓)坚(jiān )信乐(🤨)悠(yōu )悠是(〽)借(jiè(🏤) )故接近自己(jǐ )，对自(zì )己另(🏕)有所图(tú(🎙) )。为了(le )赶走乐悠(🥣)悠(yōu )任天(👔)澜变(⏩)着花样情(qí(🕓)ng )虐乐悠悠(🕹)。在此(🦗)过(guò )程中(🔒)任天澜慢慢喜(😝)(xǐ )欢上乐悠悠。 乐悠(yōu )悠在(🤥)直(zhí )播过(🔮)程中无意泄露(🔷)(lù )了任天(🍨)澜的(💈)隐私，让任天澜大发雷(🦍)霆(tí(🚯)ng )。任天澜警(🐇)告乐悠(yōu )悠，以(🎌)后不(bú )准(🌲)她再(zài )直播，乐悠(🥤)(yōu )悠坚决(⚡)(jué )不(💿)同意(yì )，两(💦)(liǎng )人再次(cì )发(📨)生矛(máo )盾，而此时(shí )，乐悠(yō(🎇)u )悠经纪人(🎹)携(xié )粉丝捐(juā(🚊)n )助的善款(🥧)潜(qiá(🥦)n )逃，又(yòu )使任天澜更(gè(🎡)ng )加误(🎡)会乐悠悠(🃏)…

Candice（王奕瑾饰(🎚)演）去东(dōng )京拜访家族的(🔲)合作(zuò )伙(🦎)伴，进行商务之(🐪)(zhī )旅同时(👨)(shí )，好(🕓)奇心重的她为(wéi )已逝世16年(🍺)的叔叔找(📓)(zhǎo )寻旧爱Joyce(朱永(🌁)菁饰演(yǎ(📑)n ))。然而，Joyce当天却没(mé(🥈)i )有依约在(🚾)东(dō(🈁)ng )京铁塔(tǎ(❎) )出现。Candice置身(shēn )在(🚅)语言(yán )文化陌生的(de )环境，不(📣)仅迷(mí )失(👯)在(zài )东京街(jiē(✌) )头 ，面(miàn )对(🚷)人事(🎾)已非(fēi )的东京(jīng )，对于(🎺)寻人(🏷)(rén )任务是(🤦)(shì )否能完成更(🍔)(gèng )是没有把握。当Candice终(zhōng )于克(👬)服重重困(🤷)难与(yǔ )Joyce见面。Candice满(🎵)足了刺激(🤕)(jī )人(🚶)生的渴望;然而，她所追(zhuī )求(📫)的刺激，却(🌑)在Joyce平(píng )静的人(🦋)生投下一(😪)颗(kē )震撼弹...

故事(🎍)讲述16岁(suì(🔜) )的巴(🐛)基斯坦族(🏢)少女(nǚ )(玛丽亚(🐹)·莫(mò )兹达饰(shì ))一家住在(🔺)奥(ào )斯陆(♐)，然而家人却(què(🚋) )遵守着(zhe )严(🎱)格的(🌈)(de )巴基(jī )斯坦传(chuán )统，当(🉐)(dāng )她(🍬)和白人男(🈳)(nán )友的暧(ài )昧(👶)关系被传(👇)(chuán )统的父(fù )亲发(👗)现后，父亲(🏹)立马将她送往(Ⓜ)(wǎng )巴基斯(🧞)坦的(🍍)亲戚家(jiā )接受教育。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.