《黄河大侠》

巴勒斯坦電視台(🍙)攝製(👆)臥底肥皂劇，連(liá(🏼)n )以色列婦孺都(🦗)(dōu )晚晚追看。編(biā(📀)n )劇因(🎀)情節背離(lí )革(gé )命而辭職，監(jiā(🚹)n )製的(🔏)多口侄(zhí )仔(🚉)(zǎi )助(🐥)理受命執(zhí )筆(bǐ )，頻頻借女(☝)(nǚ )角(🏫)(jiǎo )之(🎍)口，向電(diàn )視(💄)(shì )機(🏚)前的舊愛示(shì )好(hǎo )，以色列(👷)檢(jiǎ(🐦)n )查(chá(😻) )站軍官則企(⬅)(qǐ )圖(tú )恃權影(👋)響劇(jù )情(qíng )發展(🏗)，以便(🍨)(biàn )在(🔘)(zài )追看的嬌(💪)妻(qī )面前自吹(🎹)自擂。助理即使槍(🛴)抵腦(🐿)殼，都不肯接受軍(🍾)官要求的大團(😓)圓結(🚏)局。抗爭，必須(🕴)繼(jì(🚷) )續！影展新秀(xiù )蘇亞比巧妙調(dià(🥨)o )侃以(🎵)巴關係，他(tā(⚽) )的喜(😉)劇座右(yòu )銘(míng )是：要能大(👻)(dà )笑(🏍)(xiào )，必(🚩)須面對(duì )苦(🔮)(kǔ )痛(🔕)，並與之(zhī )周(zhōu )旋。獲威尼(ní(🎇) )斯(sī(🕳) )地平(🕢)線單元最(zuì(❌) )佳(jiā )男主角獎(🔫)。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

本(běn )片撷取了发(🏧)(fā )生(⏱)(shēng )在(🈁)中国北方(fā(🏊)ng )小(xiǎo )城镇中一(🔼)个(gè )中(zhōng )国青年(🎇)出狱(🔠)(yù )后的一段人生(🐫)经历，讲述了一(🐚)个小(🈸)人物在商品(🎯)经济(🥨)的大潮中与时代的隔离，以及人(🤵)们对(🈂)(duì )金钱的崇(🏾)尚和(✳)(hé )理想、道德的(de )流失，对社(✒)会(huì(🔥) )与(yǔ(👷) )人性作出了(🙄)(le )深(shē(🍷)n )度拷问。尤(yóu )其(qí )是本片以(👮)中(zhō(⛷)ng )国(guó(🎭) )农历冬季的(🥂)(de )四(sì )个节气作(🌺)为(wéi )篇(piān )章，具有(🚒)强烈(➡)(liè )的(🍗)(de )中国文化符(🍈)(fú )号(hào )视觉。

麦(🕵)昆(kūn )本(běn )想给女(🕐)友来(📐)(lái )一(yī )场创意十(🏟)足(zú )的(de )求婚，但(💪)在(zà(🍛)i )毫无预兆的(🍭)情况(🦎)下结束了一场轰轰烈烈的爱情(🗺)，结局(🚥)悲惨而可笑(➰)……(📢)在经历过失恋博物馆中的(🎒)种种(🏴)“失败(🛂)”后，麦(mài )昆放(🍷)下了，觉(jiào )得(dé )那段失败的(de )爱(à(🥅)i )情反(🆑)而激(🐍)励(lì )了(le )自己(🏃)，让自(zì )己(jǐ )学(📲)会了如何(hé )去(qù(🖖) )爱一(🌥)个人，用(yòng )什么样(🌶)的方式(shì )让(rà(💹)ng )双方相处，也(yě )明(🚈)白了(🔨)自己(jǐ )该(gāi )选择(🎰)去爱一(yī )个(gè(👈) )什么(⛽)样的女(nǚ )孩(🐰)(hái )。

明(💚)朝年间(jiān )，兵部尚书麾下的百户(📿)段天(🥑)昊为查出倭(🎼)寇与(㊗)阉党勾结销赃的证据，加入(✏)锦衣(🦋)卫，几(🏴)年来一直潜(🔮)藏在太(tài )监总管张公公(gōng )身边(🕠)。就在(⤴)他(tā(📡) )终于得到线(⏭)索(suǒ )，准备与多(👝)年(nián )兄(xiōng )弟总旗(🍡)苏子(✔)(zǐ )峪(yù )里应外合(🃏)抓(zhuā )住(zhù )犯人(🐰)时，兵(bīng )部(bù )尚书(🏠)刘大(🐪)人得(dé )到阉党利(🍕)用倭(wō )寇(kòu )陷(🦈)害福(🚫)州知(zhī )府(fǔ(🤭) )的线(🧣)报，并(bìng )派(pài )出段天昊的(de )弟(dì )弟(💕)段天(🧡)麟到(dào )倭寇(🧠)处卧(🤱)底。段天昊与苏子峪只得放(💼)弃到(🧐)手的(🎋)功劳，前往福(🕰)州，却不曾料到竟是一场有去无(⛽)回的(🌶)凶险(🔋)(xiǎn )之旅。

印度(➗)每(měi )年有超过(⛏)二万(wàn )宗针对女(🏕)性的(🧢)(de )暴(bào )力罪案，平(pí(👧)ng )均(jun1 )每二十二分(😌)(fèn )钟(zhōng )就有一名(🆚)女(nǚ(🐦) )性(xìng )被强暴，每(mě(🧞)i )六(liù )小时就有(🥘)一名(📲)(míng )妇女因家(🕵)庭暴(🤦)(bào )力(lì )丧命。年轻(qīng )的(de )基层女警(😹)索(suǒ(🌊) )妮(nī )与上司(😙)卡帕(⏸)(pà )纳(nà )在德里一同(tóng )接(jiē(🏿) )手调(😴)查不(🙈)同的女性暴(⛽)力事件，在办案过程中往往遭受(⛽)到了(🤢)重大(💨)阻力，无日无(🍗)之的罪案令她(🖖)脾气暴躁(zào )，做事(⏯)方式(🏨)偏(piān )离常规，被裁(👀)(cái )定在执勤中(🍓)行(háng )为(wéi )不当，而(✏)私(sī(🍙) )人(rén )生活也影响(🎣)(xiǎng )到(dào )了她的(🙎)职业(♑)(yè )表(biǎo )现，与(Ⓜ)丈夫(👏)(fū )已(yǐ )经彼此疏离，却要被迫面(🏪)对(duì(💗) )他(tā )突然的(👁)到访(⬆)(fǎng )。印度电影少(shǎo )见(jiàn )的写(🚯)实题(📬)材(cá(🦌)i )，以一场一镜(💧)(jìng )营(yíng )造出真实迫力，将社会低(📦)下层(🤤)女性(💼)受到压迫的(💋)问题表露无遗(🌱)。